What can I do to make the results even better? Thanks in advance.In your reprot your benq is not simulating sRGB, it is in a widegamut configuration, hence it is expected that an sRGB display will look washed out compared to that… but it will be your Benq configuration’s fault.Īlso your AOC display can be very bad not covering sRGB so profile it and see a 2D projection or full 3D vlume comparison vs sRGB. Here is a summary from these new settings: I have enclosed the results in a zip file called AVCOM Cal_.zip. Set OLED light to “50” to achieve 133 cd/m2 in Displa圜ALģ. So, I made a few changes and WOW I think the results are much better. I put up a 10 grey bar scale the black and next lightest black bar were indistiguishable. Also, the darker areas were crushed to black. The picture looks way too dark and lacking pop. The results from this calibration were much better than anything that I tried before.īut, I looked at the content from a video project that I knew was good. – As recommended I played some content on the TV for 30 minutes prior to starting measurements. – Set profiling patch sequence to “maximize lightness difference” – Reduced the number of profiling patches to the default 1553 – Set ASBL to “Off” in the TVs Service Menu using instruction from the link you provided: I ended up purchasing a Harmony Remote 350 and was able to access the Service menu using those instructions. – Set OLED light to “26” to achieve 100 cd/m2 in Displa圜AL (19 gave me 80 cd/m2) – Set the TV gamut to “Wide” (native gamut mode is auto) I followed your instructions pretty close: Good news your expertise improved things dramatically, but was wondering if I can even make things better. We are wanting to color grade in Davinci Resolve using this monitor. We would be happy to pay you for your time to optimize our display for Davinci Resolve and understand what we are doing wrong. We have tried Displa圜AL’s Full Field pattern insertion in advanced settings as well because we are using an OLED TV. We are not getting good calibration with our current settings. I didn’t know exactly what you would need to help us, so I gathered up as much info as I could provide. I have included a ZIP file containing screen shots of our Displa圜AL 3.7.1.3 setup, the calibration and Profiling Complete Dialog, a spreadsheet containing the current TV settings we are using, the RGB and Gray Balance report output from Displa圜AL, and a compressed archive of our settings in Displa圜AL. We are using an X-Rite i1 Display Pro as our calibration instrument. It was too large to include in your system’s attachment. Here is a link to a Dropbox download of the technical manual for this TV. We are using Davinci Resolve 15 to calibrate a LG OLED 55″ TV (model# LG OLED55B8PUA). This is very straight forward, but we are using the bypassed mode right now because we don’t have a good 3D LUT to load yet. It has buttons on the front to switch between the two 3D LUT profiles or to entirely bypass them. This interface allows you to load two 33 point 3D LUT profiles for greater accuracy with color, manipulation and supposedly can be used to accurately color calibrate consumer televisions so they can be used for critical color correction work. We have a new 4K editing system using Blackmagic-Design’s 4K Extreme card with SDI output and a BMD Teranex SDI to HDMI box which converts SDI to HDMI 2.0. I will contribute more in the future to Displa圜al this year, I promise. You have been so helpful to us in the past, so we did contribute a little something.
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